The editing process used in these videos transforms the linear temporality inherent in the structure of video into a system of seamless transitions. The landscape image is re-produced through an editing process I developed that generates variations in the perception of time. This technique abandons the control found in traditional editing software, and in substitution focus is placed on methodologies associated with chance and lyrical movement. Through this process a shuffling or stuttering effect is generated on the video and audio simultaneously, which disrupts the succession of events found in the original recording. This process  of editing also allows me, it editor, to act intuitively, in a manner that fosters discovery from which I can narrow in on images and sequences.

This process involves capturing the edited movements live. I scrub over footage by sweeping the cursor over the timeline. I am interested in the two forms of tracing movement; that being the literal movements of space recorded in the video, as well as this post-process of recording the movements of the editors hand as it physically effects the footage. With this focus on editing, I am able to superimpose new movements onto pre-existing movements, which I feel opens into a dialogue on the nature of critique, selection, and the evaluation of space. I am compelled to navigate through post-production in this way as it includes the flaws and hesitation of the creative process.